![]() Notes will be given on the screenplays in development, and actors will read scenes from the spec hour-long television scripts that were completed in the fall, giving a different perspective on what kind of revisions are needed as actors engage with a script. Guest speakers will help prepare students for writing their one-hour pilot by discussing pilots they have written and examining successful television dramas. The workshop will also examine how scripts achieve authenticity - how a script rings true, no matter what the genre it is written in. In addition, students will focus on rewriting and revision. This intensive 10-day workshop focuses on the challenge of crafting an original one-hour pilot, and finding authenticity in one’s script. SWR 550: Residency Workshop II: Creativity and Authenticity (3 hrs.) The overview ends with the birth of sound at the end of the 1920’s. ![]() A particular emphasis is placed on the predominant female screenwriters of the era, with close investigation of the careers of screenwriters such as Frances Marion. This course explores the earliest years of screenwriting from the birth of film through the flowering of the silent era. SWR 515: History of Screenwriting I (3 hrs.) Then the student will pitch a story for a spec script, develop an outline, and write the script. The student will study and analyze a television show (30 minute sitcom or one-hour drama), noting its structure and learning its characters. SWR 510: Writing the TV Spec Script (3 hrs.)ĭuring this course the student learns to develop and write a spec script, which is the student’s own storyline of a current television show. Emphasis is placed on structuring the story, gaining a deep knowledge of the genre of the piece and its antecedents, and creating multi-dimensional characters and the world they inhabit. This class is devoted to the development of an outline for the screenplay and beginning the script. Over the course of a year, the student will develop and write a full-length screenplay, working one-on-one with a professor/mentor. SWR 505: Writing the Screenplay: Outline and Beginning (3 hrs.) Guest speakers who have created indelible characters share their process, and there are field trips to working writers rooms in studios. During this workshop, the issues of structure and character are reinforced through guest lectures on the structure of one-hour television drama, as well as half-hour comedy and web series. Hand in hand with structure comes an examination of how to write rounded and riveting characters the two are inseparable. ![]() It presents the basic elements of the three-act structure, which underlies all of film and television writing. ![]() At the core of the workshop is a foundational class on Screenplay Structure. This intensive 10-day workshop emphasizes story structure and character. Required Courses (48 credit hours) SWR 500: Residency Workshop I: Craft and Character (3 hrs.) For official curriculum requirements, see the Graduate Curriculum Catalog for the year you entered Stephens. ![]()
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