![]() It is a damning view of a man and – eventually – a marriage. We see them together in several scenes before Coppola surprises us with how little she actually is: Spaeny barely reaches Elordi’s chest. What does she have to say, after all? “How’s my little one?” he asks on the phone when she is still back in West Germany, as if she were a pet. Presley tells her father he likes talking to her. The following year, she moves to Graceland for good Elvis promises to send her to a good school and make sure she does her homework.Īs portrayed here, the young Priscilla was demure, pliable and virginal. When said heartthrob has his friend – the entertainment officer on the base – call to say he wants to see her again, they ask the question any of us would: what does he want with her? Then we see how his winning Southern ways turn their heads how soon she was seeing him every evening he could and, when his service in Germany is over, how they let her go to stay at Graceland. They are strict and unsurprisingly reluctant to let her go to a party at the home of a famous heartthrob. She is in ninth grade, living on the U.S. Elvis Presley ( Jacob Elordi) is 24 and doing his Army service in West Germany when he meets Priscilla ( Cailee Spaeny). Returning to those facts, however, they feel disquieting in a way they may not have done at the time. RELATED: ‘Priscilla’ Venice Film Festival Premiere Photo Gallery Those details – the objects seen in close-up, the carefully evoked shadowy interiors of houses where the curtains are always closed against the sun, the costumes that show the teenage Priscilla trussed in ball gowns, like a little girl playing dress-up with her mother’s wardrobe – are like an additional narrative rippling across the facts we already know. Venice Film Festival 2023: All Of Deadline’s Movie ReviewsĪnd it is told by Coppola, whose stylistic pizzazz overcomes the dull sense that we know exactly what is going to happen. Told from his former wife’s point of view, however, it becomes another story altogether. Elvis Presley’s story, moreover, has been told often enough most people know the bare bones of the Presley story. Biopics, especially biopics that never deviate from the facts of a life, often feel plodding. Sofia Coppola’s Priscilla, based on Priscilla Presley’s book Elvis and Me and in competition at the Venice Film Festival, doesn’t pull any fancy tricks with timelines or frames of reference it is a straightforwardly linear retelling of her romance with the King, beginning with the party where she met him in West Germany and ending on the day she left their marriage. “I have doctors looking after me,” he growls. “Maybe the pills are too much,” ventures Priscilla Beaulieu to her boyfriend Elvis Presley, after one of his flares of temper where she just manages to dodge his fist. ![]() ![]() Always the pills: squeezed in a palm that opens to reveal its little white prize lined up in bottles on the bedside table slipped into a pocket on the way to school. Pink-nailed toes scrunching on a pink carpet a packet of false eyelashes piles of chips in a Vegas casino the pills. ![]()
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